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visited on the continent, by means of which I hope to be furnished from time to time with the newest intelligence concern- ing modern music, as well as with further particulars, relative to the ancient; and as I am certain that no place abounds more with men of sound learning, or with collectors of curious compositions and valuable materials necessary to my intended work, than my own country; I humbly hope that I shall also be honoured with their counsel and commu- nications.
But with all these requisites, respect for the public, for the art about which I write, and even for myself, will prevent precipitate publication: a history of the kind I propose, must inevitably be a work of time; for after consulting the most scarce and valuable books and MSS. and conferring with the most eminent artists and theorists; to select, digest, and consolidate materials so various and dif- fused, will not only require leisure and
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